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#121
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#122
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![]() I just went back to look at the film you posted of Thorpe, and it seems to me that he has a much better grip on the water than Shelley. One of the things that Thorpe does to get this better grip is that he has a slight undulation in his stroke. This means that as his arm goes in up front his head is moving deeper. He also keeps his elbow much closer to an up position as he spears forward, which Shelley does not. Shelley has no undulation at all that I can see. All of this seems to be very subtle differences, but when I look at the traction in the stroke, the difference between Mel and Thorpe vs. Shelley seems quite noticeable. Sometimes the big picture tells me more than looking at the individual details.
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#123
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MF: Not sure where you dug that video up, it's an oldie, and you know we've noted abandoning these recovery drills years ago on this forum many times and you continue to forget. But it's great to see Terry and hear his voice voice from his 40's, never seen that one - pretty cool. Re: Slowing down recovery to shape the catch is just contradictory to fast swimming. It's the other way around, speed the recovery to trigger the low side arm vault *without* coupling the arms windmill like. Stu mindbodyandswim.com |
#124
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#125
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It's much more simple than all the complexities I read on this forum and elsewhere. As long as you hold your edge and resist the impulse to pull, allow the high-side arm's weight and momentum to rotate the body, the "catch", "vaulting arm" will shape naturally. The high side arm triggers the low side arm, not the other way around. Stop focusing on what's moving back, and primarily what's moving forward. Controlling the positions of the low side arm through rotation will probably be wrong and worse be in a position, out of leverage that will do damage to the shoulders and provide no benefit to propulsion. In short, the focus is to send the high side arm to its forward destination as you feel feather light pressure on the low side arm moving back - the vaulting, hold/grip of the water happens. It you snap the vault (by pulling) you lose the external forces of momentum gained from the hight side arm moving forward. Also "feather light" feel is subjective given the swimmer's experience, i.e your feather light feel can be my most firm feel. Stu mindbodyandswim.com |
#126
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Yes i know exactly what you mean i hang the lead arm out and fell the (not so) featherlight pressure from the highside arm as it comes over i spent 2 hrs drilling this last week. the timing is about 3/4 catch up? not 50% under the shoulder? |
#127
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![]() Coupling, no; connection, yes. No windmill or "kayak", that's coupling arms. Transition of one edge to the other where both arms in front of head, or lower front quadrant is connection. Not "catch up", or 3/4 catch up, or anything "catch up"
Stu mindbodyandswim.com |
#128
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And with this focus being said, this is also exactly why I like to concentrate more on the upbeat in the 2 beat kick ,not the downbeat .When you spear in to the water and focus on moving forward is the time your leg on the same side is on the upbeat, and as your hand reaches forward to the end of it's spear the leg is now poised and stretched through the toes keeping the body long and it also gives you a great feeling of balance because of the stretch of the upbeat leg as an extension of your core. Then the downbeat happens as you now focus on the opposite leg which is on the way to the upbeat and vice versa .I'm not sure if anyone feels this way but at least for me this feels best and more natural. Dave Last edited by daveblt : 06-26-2018 at 03:45 AM. |
#129
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https://www.youtube.com/watch?v=pITBtglEUGk How do we reconcile these two pictures? |
#130
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![]() Hi Danny,
That’s a great video, Terry goes into great detail words alone cannot cover in a forum post - but I don’t see anything to reconcile other that using different words. “Simplying movements into one awareness” when he’s talking about rediscovering the recovery arm and weight shift. Terry notes to avoid intentionally positioning the forearm vertical, or the “EFV” unless you’re Grant Hackett who can almost dislocate his shoulder at will. Absolutely, intentionally positioning the arm vertically, it will probably be wrong, damage your shoulders, and add nothing to propulsive force especially being out of leverage. Terry uses “weight shift” where I describe as external forces of the weight and momentum (gravity) of the high side arm to maintain balance and rotatate body to its opposite edge as it drops in to forward extension. The main emphasis is what’s moving forward not what’s moving back. So my question goes back to you: What statement(s) or definition(s) are in conflict and require reconciling? Stu MindBodyAndSwim.com |
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